https://dariopicariello.com dariopicariello Thu, 28 Dec 2023 16:16:10 +0000 https://dariopicariello.com en https://dariopicariello.com/CV Tue, 28 Jul 2020 13:02:14 +0000 dariopicariello https://dariopicariello.com/CV Bio Dario Picariello (Avellino, 1991) lives and works in Milan, Italy. His practice investigates the relationship between folklore, ritual practices and contemporary visual culture through photography, textile interventions and installation, focusing on the persistence of collective memory and symbolic imagery in contemporary society. He has presented solo exhibitions at Manuel Zoia Gallery, The Open Box, TRA – Treviso Ricerca Arte, and LABS Contemporary Art, the gallery that currently represents his work. His work has been included in exhibitions at institutions such as PAC – Padiglione d’Arte Contemporanea in Milan, Galleria San Fedele, Palazzo Hercolani in Bologna, and Fondazione OELLE Mediterraneo Antico. He has been a finalist in several prizes including the Combat Prize, Premio Francesco Fabbri, and Premio Cramum. SOLO EXHIBITIONS 2025 Sotto il silenzio del tempo, curated by Luca PanaroZenato Academy – ArtVerona, Verona, IT 2024 WORDLESS – Dario Picariello + J&amp;PEG, curated by Elisa CarolloManuel Zoia Gallery, Milan, IT 2023 Sono le ferite del sentimento, curated by Angel Moya GarciaThe Open Box, Milan, IT 2021 L’acqua le bagna come il vento le calpesta, text by Eugenio ViolaLABS Contemporary Art, Bologna, IT 2018 A fuoco continuo, curated by Stefano VolpatoTRA – Treviso Ricerca Arte, Treviso, IT SELECTED GROUP EXHIBITIONS 2026 Agata On The Road – Ritorno a CasaFondazione OELLE Mediterraneo Antico, Aci Castello (CT), IT 2024Premio Artivisive San FedeleGalleria San Fedele, Milan, IT 2024Miniartextil 33 – L’arte come preghieraVilla Olmo, Como, IT 2023 Noocene, curated by Silvia VannacciPalazzo Binelli, Carrara, IT 2023 Notturno, curated by Domenico De ChiricoPalazzo Hercolani, Bologna, IT 2022Combat Prize – finalistMuseo Giovanni Fattori, Livorno, IT 2021Premio Francesco Fabbri – finalistVilla Brandolini, Pieve di Soligo, IT 2019 Scusate il disturboPAC – Padiglione d’Arte Contemporanea, Milan, IT AWARDS Combat Prize – finalist Premio Francesco Fabbri – finalist Premio Cramum – finalist Premio acquisto Piero Guidi PUBLICATIONS 2022 Quaderni della Quadriennale n.4, Treccani 2019 Scusate il disturbo, PAC Milano 2018 A fuoco continuo, Multiplo 2016 Mascarata, Baskerville 2015 Nutrimentum, Baskerville PRESS&nbsp; &nbsp; &nbsp;TEXTS PORTFOLIO &nbsp; &nbsp;&nbsp; CV https://dariopicariello.com/Sono-le-ferite-del-sentimento Wed, 20 Oct 2021 14:56:46 +0000 dariopicariello https://dariopicariello.com/Sono-le-ferite-del-sentimento <img width="3543" height="2362" width_o="3543" height_o="2362" data-src="https://freight.cargo.site/t/original/i/2521eedc70b64d34077a55ee1bf2e46be81e5f5790c593646e7102bde1396417/VAL_0041_Istituzionale_b.jpg" data-mid="175111899" border="0" src="https://freight.cargo.site/w/1000/i/2521eedc70b64d34077a55ee1bf2e46be81e5f5790c593646e7102bde1396417/VAL_0041_Istituzionale_b.jpg" /> <img width="3543" height="2362" width_o="3543" height_o="2362" data-src="https://freight.cargo.site/t/original/i/afc182ff78675ef03a139c12784ef9fcfa61db2af8dc08317bc9cde35dd3f844/VAL_0048.jpg" data-mid="175112469" border="0" src="https://freight.cargo.site/w/1000/i/afc182ff78675ef03a139c12784ef9fcfa61db2af8dc08317bc9cde35dd3f844/VAL_0048.jpg" /><img width="2657" height="1772" width_o="2657" height_o="1772" data-src="https://freight.cargo.site/t/original/i/bd4db33f45984fcf02d6fb0a08724e536acca1b74d529d61fc77c4a6850bad1c/VAL_0060.jpg" data-mid="175112471" border="0" src="https://freight.cargo.site/w/1000/i/bd4db33f45984fcf02d6fb0a08724e536acca1b74d529d61fc77c4a6850bad1c/VAL_0060.jpg" /><img width="2657" height="1772" width_o="2657" height_o="1772" data-src="https://freight.cargo.site/t/original/i/492a2b42407c62aa649adb82c2f113ce674a2d9bf0877a49030416e5f17c864f/VAL_0067.jpg" data-mid="175112473" border="0" src="https://freight.cargo.site/w/1000/i/492a2b42407c62aa649adb82c2f113ce674a2d9bf0877a49030416e5f17c864f/VAL_0067.jpg" /><img width="2657" height="1772" width_o="2657" height_o="1772" data-src="https://freight.cargo.site/t/original/i/127e7b0d3f74f964b4172623221043ce644ba19176ec224020a8f505297e5fcc/VAL_0074.jpg" data-mid="175112474" border="0" src="https://freight.cargo.site/w/1000/i/127e7b0d3f74f964b4172623221043ce644ba19176ec224020a8f505297e5fcc/VAL_0074.jpg" /><img width="2657" height="1772" width_o="2657" height_o="1772" data-src="https://freight.cargo.site/t/original/i/3f705683d9016161c2075a86a19d7a29d54a7ac1918ea234622189941d5bf848/VAL_0080.jpg" data-mid="175112479" border="0" src="https://freight.cargo.site/w/1000/i/3f705683d9016161c2075a86a19d7a29d54a7ac1918ea234622189941d5bf848/VAL_0080.jpg" /> Sono le ferite del sentimento, 2023photographic contact print on silk, pages from books, gilded aluminium, 300 x 150 cm Ph. Valentino Albini SONO LE FERITE DEL SENTIMENTO, 2023 Dario Picariello&nbsp; prende spunto dalle tradizioni dei canti popolari meridionali per situarsi come testimone, archivista, narratore e antropologo dei racconti di un mondo che solo apparentemente non esiste più, riconfigurando le storie tramandate per arrivare a una più ampia narrazione della tragicità dell’esistenza umana. La serie Cicli, avviata nel 2020, è composta da sette raccolte, ognuna dedicata a un argomento specifico della tradizione orale: l’infanzia, l’amore non corrisposto, l’amore violento, l’amore ideale, il lavoro, i riti nuziali e, infine, i riti funebri. In questa serie Picariello si avvale di fotografie prelevate da diversi archivi digitali che vengono successivamente incise con strisce di carta provenienti dalla decostruzione di alcuni romanzi destinati al macero. Una stratificazione tra immagine e parola che si intreccia e in cui emerge un’estetica seducente, utilizzata come una trappola per l’osservatore, che soltanto in un secondo momento scopre il significato dei testi celati a un primo sguardo superficiale. L’ossessione per il tema dell’identità, l’appartenenza territoriale incardinata sul folclore, l’utilizzo degli archivi come materia prima, l’uso del canto orale e il cucito presenti nel lavoro Sono le ferite del sentimento, provengono da un approccio autobiografico per poi diventare strumento di proiezione verso il presente e la collettività. Due ventagli sospesi frammentano la percezione dello spazio restituendo a sua volta una fotografia in bianco e nero scomposta, prelevata da un archivio digitale e stampata a contatto su seta, in cui la parola sovverte l’immagine. Una scena vernacolare di due donne intente nella lettura che vengono celate, occultate o eclissate dall’uso di pagine di romanzi, destinati al macero e ridotti a brandelli, come filo di cucito che si snoda per la superficie della tela e scende dal retro come frastagli di una narrazione che non vorrebbe mai finire. Una riappropriazione del testo che trova una doppia sfaccettatura attraverso forma e contenuto, oggetto e soggetto, materia e rappresentazione. La cancellazione, la contraffazione e l’alterazione dell’immagine delle donne ottiene per contrasto il risultato di evidenziare le protagoniste, risaltando come il gesto o il tentativo di rimozione aumenti la considerazione e la visibilità di ciò che si tenta di occultare. La rilevanza dell’intimità della scena, la realtà sociale che descrive, la vegetazione come cornice, le scale come componente scenografica, il portamento, i vestiti o il rapporto verticale tra le due donne cede davanti alla necessità di concentrarci su di loro. Lo stesso meccanismo scaturisce dal lavoro di recupero o riscatto di certe tradizioni orali ormai quasi scomparse che in questo caso emergono non abbozzate, non assonnate, ma sottolineate in filo d’oro come ferita mai cicatrizzata completamente. Un dettaglio che punge, un particolare che offre la chiave di lettura del lavoro e che ci indirizza verso un contesto, una storia e una tradizione locale che si congiunge con tutte quelle minoranze, diversità o alterità che hanno fondato, basato e veicolato le urgenze della propria cultura o della propria comunità di riferimento su un metodo prevalentemente orale. Il canto popolare presente in questo lavoro riflette sul concetto di tempo, del suo scorrere inesorabile e del rapporto che abbiamo con esso. Un tempo che corrode, ma non rimuove, un’immagine che svanisce ma senza sparire completamente, un ricordo lontano che stenta a emergere e che proprio per questo ci sforziamo di voler recuperare, una memoria di cui non vogliamo o non possiamo liberarci. In questo senso, l’artista diventa un testimone che registra ciò che non c’è mai stato scritto, ferma la descrizione di un evento che sarebbe stato perduto inevitabilmente e attira l’attenzione verso qualcosa che altrimenti si dissolverebbe in una nebbia fitta, appannata e offuscata, come la nostra memoria o i nostri ricordi di cui più tentiamo di liberarci più questi ritornano persistenti, rafforzati e ostinati. Angel Moya Garcia -Dario Picariello&nbsp; Draws inspiration from the traditions of the popular songs of southern Italy to position himself as a witness, archivist, narrator and anthropologist of a world that only apparently no longer exists, reconfiguring stories that have been handed down to arrive at a broader narration of the tragic nature of human existence. The series Cicli (Cycles), launched in 2020, is composed of seven collections, each dedicated to a specific aspect of the oral tradition: childhood, unrequited love, violent love, ideal love, labour, nuptial rituals and, lastly, funerary rites. In this series, Picariello has used photographs from several digital archives that he has incised with strips of paper taken from the deconstruction of novels destined to be pulped. A weaving stratification of word and image from which emerges a seductive aesthetic used as a trap for the observer, who only subsequently discovers the meaning of the texts concealed to an initial superficial gaze. The obsession with the theme of identity, the territorial affiliation based on folk lore, the use of archives as raw material, use of oral song and the stitching present in the work Sono le ferite del sentimento (They’re the Wounds of Feeling), come from an autobiographical approach before developing into a means of projection towards the present and the collective. Two suspended fans fragment perception of the space, rendering in turn a deconstructed black and white photograph drawn from a digital archive and contact printed on silk, in which the word subverts the image. A vernacular scene of two women reading who are veiled, obscured or eclipsed through the use of pages from novels destined to be pulped and reduced to torn strips, winding like a stitched thread across the surface of the canvas and descending from the back like the fringes of a narration you would never want to end. A reappropriation of the text that finds a dual valency through form and content, object and subject, material and representation. The cancellation, the falsification and the alteration of the image of women obtains through contrast the result of emphasising the protagonists, highlighting how the gesture of or the attempt at removal increases respect and visibility for what is being concealed. The significance of the intimacy of the scene, the social reality it describes, the vegetation as a frame, the steps as a scenographic component, the bearing, the clothes or the vertical relationship between the two women give way to the need to concentrate on them. The same mechanism derives from the recovery or redemption of certain oral traditions that have now almost disappeared and which in this case emerge neither sketchily nor drowsily, but emphasised with a gold thread as a wound never completely healed over. A detail that stings, a characteristic that offers a key to the work and which directs us towards a local context, history and tradition that connects with all those minorities, diversities or differences that have founded, based and vehicled the urgencies of their culture or their community of reference on a prevalently oral method. In this work, popular song reflects on the concept of time, on its irresistible passing and our relationship with it. Time that corrodes, but does not remove, an image that fades but without disappearing completely, a distant memory that struggles to emerge and for this reason we force ourselves to want to recover, a memory of which we do not want to or we cannot free ourselves. In this sense, the artist becomes a witness or records that which has never been written, freezes the description of an event that inevitably would have been lost and attracts attention to something that would otherwise dissolve in a dense fog, clouded and obscured, like our memory or those recollections which the more we try to free ourselves from the more persistently they return, reinforced and obstinate. Angel Moya Garcia https://dariopicariello.com/E-tutto-un-immerso-nella-luce Thu, 28 Dec 2023 16:16:10 +0000 dariopicariello https://dariopicariello.com/E-tutto-un-immerso-nella-luce <img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/db5af317db51c65637c500820584bafffcc856684b344e3b4f5a4656c3fb96d3/14.jpg" data-mid="200270271" border="0" src="https://freight.cargo.site/w/1000/i/db5af317db51c65637c500820584bafffcc856684b344e3b4f5a4656c3fb96d3/14.jpg" /> È tutto un immerso nella luce, 2023 Glitch fotografico stampato su seta, pagine di libro, alluminio, ottone, marmo, dimensioni ambientali <img width="3338" height="5052" width_o="3338" height_o="5052" data-src="https://freight.cargo.site/t/original/i/203d66fa5a4d35b350f3a8997e6bf5cd9d68efbe0dbcbafa1fd94d485d795e73/6.jpg" data-mid="200270240" border="0" src="https://freight.cargo.site/w/1000/i/203d66fa5a4d35b350f3a8997e6bf5cd9d68efbe0dbcbafa1fd94d485d795e73/6.jpg" /><img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/e2ede8aedae40bc8c088b86c682e8cf3c37375691024b04169f412d74c3a5947/7.jpg" data-mid="200270243" border="0" src="https://freight.cargo.site/w/1000/i/e2ede8aedae40bc8c088b86c682e8cf3c37375691024b04169f412d74c3a5947/7.jpg" /> <img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/a02659e82e9d497ad73fa74f5fcef4c0b7cd728ecd7f847a5de06ba3d5c23146/1.jpg" data-mid="200270223" border="0" src="https://freight.cargo.site/w/1000/i/a02659e82e9d497ad73fa74f5fcef4c0b7cd728ecd7f847a5de06ba3d5c23146/1.jpg" /><img width="863" height="1181" width_o="863" height_o="1181" data-src="https://freight.cargo.site/t/original/i/8216adefd66ab0e202b853e5aecd5479b05dea3355bd1a302fa83ef692fc88a5/3.jpg" data-mid="200270230" border="0" src="https://freight.cargo.site/w/863/i/8216adefd66ab0e202b853e5aecd5479b05dea3355bd1a302fa83ef692fc88a5/3.jpg" /><img width="5184" height="3153" width_o="5184" height_o="3153" data-src="https://freight.cargo.site/t/original/i/03dbadf8687027fb80f031f57c636db3bd9b2e19852c32f6381b3ae26b31a1e5/4.jpg" data-mid="200270233" border="0" src="https://freight.cargo.site/w/1000/i/03dbadf8687027fb80f031f57c636db3bd9b2e19852c32f6381b3ae26b31a1e5/4.jpg" /> E' TUTTO UN IMMERSO NELLA LUCE, 2023 “È tutto un immerso nella luce” è un’installazione ambien- tale accompagnata da sette sculture realizzate utilizzando sette volumi dell’enciclopedia “I mondi dell’uomo”. Questo progetto coniuga per la prima volta in modo sinergico tutte e sette le significative fasi della vita umana, conformemente alla tradizione orale e nello specifico quella del Sud Italia: canti d’infanzia, stornelli d’amore, riti nuziali, amore non corrisposto, canti del lavoro, canti religiosi e canti funebri. Quest’opera è parte integrante della serie “Cicli”, iniziata da Picariello nel 2020, ispirata alle tradizioni dei canti popolari e costituita da sette raccolte. Sia nell’installazione che nelle sculture ricorrono materiali e simbologie complementari, tessuti lievi come il raso e la seta si contrappongono a supporti duri, pesanti, come la marmorina o il marmo. Il ricamo con strisce di carta provenienti dalle pagine dell’enciclopedie arricchisce con delle parole i tessuti già stampati, raffiguranti fotografie d’epoca, provenienti da archivi digitali. Questa sovrapposizione di livelli, simboli e materie costituisce un’integrazione complessa, da cui emerge un’estetica scenografica e accattivante, che immediatamente incanta ma che permette solo in un secondo momento di scoprire il significato dell’opera nascosto a un primo sguardo. Il progetto rappresenta una vera e propria celebrazione della tradizione orale, che costituisce una forma di conoscenza atavica. Nel corso dei secoli, questa tradizione ha svolto un ruolo cruciale nella trasmissione di storie e conoscenze di generazione in generazione, fungendo da strumento chiave per l’espressione culturale e l’identità. Attraverso l’apposizione e il ricamo di frasi dei canti orali all’interno delle enciclopedie, rappresentative della conoscenza per antonomasia, l’artista Picariello apporta un nuovo e significativo valore a questa forma di sapere spesso trascurata e in via di estinzione. Le opere e i libri presentano immagini che enfatizzano la luce come elemento unificante, immergendo il tutto in una visione intensa e spirituale. Silvia Vannacci https://dariopicariello.com/L-acqua-le-bagna-come-il-vento-le-calpesta-copy Wed, 12 Apr 2023 15:54:57 +0000 dariopicariello https://dariopicariello.com/L-acqua-le-bagna-come-il-vento-le-calpesta-copy <img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/455306d0ab1dc1dd6c8f8435dd7083147c0f3f8aa4333c1d230d5c1629baf74b/Dario-Picariello--L_acqua-le-bagna-come-il-vento-le-calpesta--installation-view--ph-Carlo-Favero.jpg" data-mid="175111544" border="0" src="https://freight.cargo.site/w/1000/i/455306d0ab1dc1dd6c8f8435dd7083147c0f3f8aa4333c1d230d5c1629baf74b/Dario-Picariello--L_acqua-le-bagna-come-il-vento-le-calpesta--installation-view--ph-Carlo-Favero.jpg" /> <img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/3c366a7c21abfd5ae5b35495f6848292ba6542b089c4025188fd4dfbc59a0930/Dario-Picariello--L_acqua-le-bagna-come-il-vento-le-calpesta--installation-view--ph-Carlo-Favero_4.jpg" data-mid="175111542" border="0" src="https://freight.cargo.site/w/1000/i/3c366a7c21abfd5ae5b35495f6848292ba6542b089c4025188fd4dfbc59a0930/Dario-Picariello--L_acqua-le-bagna-come-il-vento-le-calpesta--installation-view--ph-Carlo-Favero_4.jpg" /><img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/764bbdf0a60c1594600606963d7b28089b81bd14f023945b3be552400eabd570/Dario-Picariello--L_acqua-le-bagna-come-il-vento-le-calpesta--installation-view--ph-Carlo-Favero_5.jpg" data-mid="175111543" border="0" src="https://freight.cargo.site/w/1000/i/764bbdf0a60c1594600606963d7b28089b81bd14f023945b3be552400eabd570/Dario-Picariello--L_acqua-le-bagna-come-il-vento-le-calpesta--installation-view--ph-Carlo-Favero_5.jpg" /> L’acqua le bagna come il vento le calpesta,2021Exhibition view _Photo courtesy&nbsp; LABS contemporary art Ph. Carlo Favero <img width="2667" height="4000" width_o="2667" height_o="4000" data-src="https://freight.cargo.site/t/original/i/a4e4822f180a76697eb437b8e1deb1f3cf75dd1fcfa2096a6b99a5e7e8eed9c5/Dario-Picariello--Cinquantaquattro--2021--dettaglio--ph-Carlo-Favero.jpg" data-mid="175111545" border="0" src="https://freight.cargo.site/w/1000/i/a4e4822f180a76697eb437b8e1deb1f3cf75dd1fcfa2096a6b99a5e7e8eed9c5/Dario-Picariello--Cinquantaquattro--2021--dettaglio--ph-Carlo-Favero.jpg" /><img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/d6632697062ac970aa968a6d67e7fb019a0a33a831ec416c18b0ae89baf52713/Dario-Picariello--Cinquantaquattro--2021--ph-Carlo-Favero_.jpg" data-mid="175111546" border="0" src="https://freight.cargo.site/w/1000/i/d6632697062ac970aa968a6d67e7fb019a0a33a831ec416c18b0ae89baf52713/Dario-Picariello--Cinquantaquattro--2021--ph-Carlo-Favero_.jpg" /> L’acqua le bagna come il vento le calpesta,2021Cinquantaquattro, contact photo print on silk, blueback paper, photographic silk studio umbrella, Ø200 x 75 cm ca. _Photo courtesy&nbsp; LABS contemporary art Ph. Carlo Favero <img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/ae65b56a06f90162098e512fa68460581f6b868f40f7c2b24a4008d082b7fad5/Dario-Picariello--Fior-di-Melarancio--2021--dettaglio_Ph-Carlo-Favero.jpg" data-mid="175111547" border="0" src="https://freight.cargo.site/w/1000/i/ae65b56a06f90162098e512fa68460581f6b868f40f7c2b24a4008d082b7fad5/Dario-Picariello--Fior-di-Melarancio--2021--dettaglio_Ph-Carlo-Favero.jpg" /><img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/ba724e186ab784dea88795519b4bd838a732d959c14dbcac7329b9cf7c613735/Dario-Picariello--Fior-di-Melarancio--2021--Ph-Carlo-Favero.jpg" data-mid="175111548" border="0" src="https://freight.cargo.site/w/1000/i/ba724e186ab784dea88795519b4bd838a732d959c14dbcac7329b9cf7c613735/Dario-Picariello--Fior-di-Melarancio--2021--Ph-Carlo-Favero.jpg" /><img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/0f65c52caf622a4e3ed5625887bb237621de67724a56521fe5e66684f10b078d/Dario-Picariello--Fior-di-Melarancio--2021--stampa-fotografica-su-carta-hahnemuhle-200g--60-x-170-cm-cad.-Polittico-composto-da-quattro-pezzi.JPG" data-mid="175111549" border="0" src="https://freight.cargo.site/w/1000/i/0f65c52caf622a4e3ed5625887bb237621de67724a56521fe5e66684f10b078d/Dario-Picariello--Fior-di-Melarancio--2021--stampa-fotografica-su-carta-hahnemuhle-200g--60-x-170-cm-cad.-Polittico-composto-da-quattro-pezzi.JPG" />L’acqua le bagna come il vento le calpesta,2021Fior di Melarancio, photographic print on paper hahnemühle 200g, 60 x 170 cm Polyptych composed of four pieces. _Photo courtesy&nbsp; LABS contemporary art Ph. Carlo Favero <img width="2667" height="4000" width_o="2667" height_o="4000" data-src="https://freight.cargo.site/t/original/i/9a98bc69222b62810d4b9f0cc52dfb92f94879df8d2b9cbfb0e8c83da9fa60f4/Dario-Picariello--Le-buone-misure--2021--dettaglio_Ph-Carlo-FAVERO.jpg" data-mid="175111550" border="0" src="https://freight.cargo.site/w/1000/i/9a98bc69222b62810d4b9f0cc52dfb92f94879df8d2b9cbfb0e8c83da9fa60f4/Dario-Picariello--Le-buone-misure--2021--dettaglio_Ph-Carlo-FAVERO.jpg" /><img width="2667" height="4000" width_o="2667" height_o="4000" data-src="https://freight.cargo.site/t/original/i/c2486248e4140b7a0d33348ad0b09f2caab82157748540962b8739c331defaa4/Dario-Picariello--Le-buone-misure--2021--dettaglio--ph-Carlo-Favero.jpg" data-mid="175111551" border="0" src="https://freight.cargo.site/w/1000/i/c2486248e4140b7a0d33348ad0b09f2caab82157748540962b8739c331defaa4/Dario-Picariello--Le-buone-misure--2021--dettaglio--ph-Carlo-Favero.jpg" /><img width="4000" height="3025" width_o="4000" height_o="3025" data-src="https://freight.cargo.site/t/original/i/a2eae9232070e00b2635de79faa6c9231fe4bde9f0617ff60a2b508d9b4103d0/Dario-Picariello--Le-buone-misure--2021--ph-Carlo-Favero.jpg" data-mid="175111552" border="0" src="https://freight.cargo.site/w/1000/i/a2eae9232070e00b2635de79faa6c9231fe4bde9f0617ff60a2b508d9b4103d0/Dario-Picariello--Le-buone-misure--2021--ph-Carlo-Favero.jpg" /> L’acqua le bagna come il vento le calpesta,2021Le buone misure, contact photo print on silk, blueback paper, photographic stands, 150 x 250 cm ca. _Photo courtesy&nbsp; LABS contemporary art Ph. Carlo Favero <img width="4000" height="3040" width_o="4000" height_o="3040" data-src="https://freight.cargo.site/t/original/i/a97f21ba254b6026adfa6ff7a75d6e3868b1002041bba0816f34d2540187f796/Dario-Picariello--l_acqua-le-bagna-come-il-vento-le-calpesta-ph-Carlo-Favero.jpg" data-mid="175111553" border="0" src="https://freight.cargo.site/w/1000/i/a97f21ba254b6026adfa6ff7a75d6e3868b1002041bba0816f34d2540187f796/Dario-Picariello--l_acqua-le-bagna-come-il-vento-le-calpesta-ph-Carlo-Favero.jpg" /><img width="2667" height="4000" width_o="2667" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d95f0da5850c6d172cbe77da33f3720fc79b91111880479a9cc638755efe17a7/Dario-Picariello--l_acqua-le-bagna-come-il-vento-le-calpesta--dettaglio--ph-Carlo-Favero.jpg" data-mid="175111554" border="0" src="https://freight.cargo.site/w/1000/i/d95f0da5850c6d172cbe77da33f3720fc79b91111880479a9cc638755efe17a7/Dario-Picariello--l_acqua-le-bagna-come-il-vento-le-calpesta--dettaglio--ph-Carlo-Favero.jpg" />L’acqua le bagna come il vento le calpesta,2021L’acqua le bagna come il vento le calpesta,&nbsp;photographic print on hahnemühle 200g paper, 30 x 50 cm each. Polyptych composed of ten pieces. _Photo courtesy&nbsp; LABS contemporary art Ph. Carlo Favero <img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/92f9aa10199fa51d29243d4d683dcce6b875d1e62e890d8d2ac7cf29f171c502/Dario-Picariello--Non-mi-manda-piu-baci-per-la-posta--2021--dettaglio--Ph-Carlo-Favero.jpg" data-mid="175111555" border="0" src="https://freight.cargo.site/w/1000/i/92f9aa10199fa51d29243d4d683dcce6b875d1e62e890d8d2ac7cf29f171c502/Dario-Picariello--Non-mi-manda-piu-baci-per-la-posta--2021--dettaglio--Ph-Carlo-Favero.jpg" /><img width="4000" height="1730" width_o="4000" height_o="1730" data-src="https://freight.cargo.site/t/original/i/659b6fd6c3d6f0c8e610b7023164dea4dd83669d5be01de70009b3ff935da598/Dario-Picariello--Non-mi-manda-piu-baci-per-la-posta--2021--Ph-Carlo-Favero.jpg" data-mid="175111556" border="0" src="https://freight.cargo.site/w/1000/i/659b6fd6c3d6f0c8e610b7023164dea4dd83669d5be01de70009b3ff935da598/Dario-Picariello--Non-mi-manda-piu-baci-per-la-posta--2021--Ph-Carlo-Favero.jpg" />L’acqua le bagna come il vento le calpesta,2021Non mi mandà più baci per la strada, printing contact photography on organza, photographic fans, paper blueback, 460 x 100 x 50 cm ca. _Photo courtesy&nbsp; LABS contemporary art Ph. Carlo Favero L’ACQUA LE BAGNA COME IL VENTO LE CALPESTA 2021 Gli interventi installativi, realizzati con diversi materiali e tecniche, sono messi in mostra grazi all’impiego di attrezzatura del backstage fotografico, come ombrelli o stativi. L’attenzione è rivolta al medium fotografico, ponte di unione tra il passato e presente: le immagini fotografiche vengono modificate digitalmente, trasferite con acidi su tessuti oppure stampate su carta blueback fatta a striscioline, per essere poi utilizzata per ricamare parole, secondo pattern decorativi di abiti cerimoniali o immagini naturali.I canti selezionati per questa occasione hanno origini e periodi differenti; ad intrecciarli il tema comune della violenza, sia essa fisica, verbale o psicologica. Ogni opera racconta una difficile problematica, presentata attraverso brevi versi intrecciati su tessuti.Il primo lavoro, Cinquantaquattro, riprende un canto tradizionale orale dell’Alto Jonio Cosentino per mostrare le difficili condizioni di lavoro dei braccianti nei campi. Il lavoratore, disposto a sottoporsi a dure fatiche, pur di non perdere la propria occupazione, unica fonte di sostentamento per tutta la sua famiglia, crea un rapporto di “dipendenza” con il proprietario terriero. Fenomeno tutt’oggi riscontrabile e di cui spesso sono protagoniste le classi subalterne, costrette ad accettare ogni sortadi sopruso pur di non perdere il proprio lavoro o incorrere nella pubblica umiliazione.L’opera intitolata Le buone misure riprende i versi di A Partannisa, canto di ragazze nella raccolta delle olive, antichissima canzone popolare siciliana. Un appello di una ragazza che prega la mamma di non mandarla al mulino per non sottostare agli abusi del mugnaio.La terza installazione, infine, mette in scena una relazione amorosa mai consumata e giunta a un capolinea. Echeggiano nell’aria i versi di Strambellate, stornello cantato in prima persona: “non mi mandà più baci per la postache per la strada perdono il saporese tu me li voi dare dammegli in boccacosì si proverà cos’è l’amore [...]” La mostra si conclude con l’esposizione di due fotografie esposte come una sorta di polittico. Le immagini presentate sono il risultato di un procedimento digitale: la fotografia viene letta da un software non adatto a codificarne il formato digitale originale, producendo un errore, o glitch.L’immagine ottenuta viene stampata a contatto su carta, restituendoci apparizioni che si collocano in una spazialità indefinita e vibrante. -The installation interventions, made with different materials and techniques, are put on display thanks the use of photographic backstage equipment, such as umbrellas or stands.The installation interventions, made with different materials and techniques, are put on display thanks the use of photographic backstage equipment, such as umbrellas or stands. The focus is on the photographic medium, a bridge between the past and the present: photographic images come digitally edited, acid-transferred onto textiles or printed on blueback paper made a strips, to be then used to embroider words, according to decorative patterns of clothes ceremonial or natural images.The songs selected for this occasion have different origins and periods; to intertwine the theme commonality of violence, be it physical, verbal or psychological. Each work tells a difficult issue, presented through short verses intertwined on fabrics.The first work, Cinquantaquattro, takes up a traditional oral song in the Alto Jonio Cosentino to show the ha working conditions of laborers in the fields. The worker, willing to undergo hard work, in order not to lose his job, the only source of sustenance for his family, creates a relationship of "dependence" with the landowner.Phenomenon still today verifiable and of which the subordinate classes are often the protagonists, forced to accept all sorts of abuse in order not to lose their job or incur public humiliation. The work entitled Le Buone Misure (The good measures) takes up the verses of A Partannisa, song of girls in the harvesting of the olives, an ancient Sicilian folk song. A call from a girl who prays her mother not to send it to the mill so as not to submit to the miller's abuses. Finally, the third installation displays a love affair that has never been consummated nor come to an end. The verses of Strambellate, a song sung in the first person, echo in the air: “He won't send me kisses in the mail anymorethat lose their flavor on the streetif you give them to me give them in my mouthso you will feel what love is [...] " The exhibition ends with the exhibition of two photographs exhibited as a sort of polyptych. The images presented are the result of a digital process: the photograph is read by a software not suitable for encoding the original digital format, producing an error, or glitch. The image obtained is printed in contact on paper, giving us back appearances that are placed in an indefinite and vibrant spatiality. https://dariopicariello.com/Ephraim Tue, 11 May 2021 18:21:19 +0000 dariopicariello https://dariopicariello.com/Ephraim <img width="2362" height="2362" width_o="2362" height_o="2362" data-src="https://freight.cargo.site/t/original/i/fff8f50cd9c4cbde390da51e626d564ad1693d0131ec8a46511c8f008c1bbd1a/1.jpg" data-mid="108125767" border="0" src="https://freight.cargo.site/w/1000/i/fff8f50cd9c4cbde390da51e626d564ad1693d0131ec8a46511c8f008c1bbd1a/1.jpg" /><img width="2362" height="2362" width_o="2362" height_o="2362" data-src="https://freight.cargo.site/t/original/i/dc13331b6bf00910a0a27bfeb4d9fa4773bff57a8a07987d994ad1ddb7774aa2/9.jpg" data-mid="108125793" border="0" src="https://freight.cargo.site/w/1000/i/dc13331b6bf00910a0a27bfeb4d9fa4773bff57a8a07987d994ad1ddb7774aa2/9.jpg" /><img width="2362" height="2362" width_o="2362" height_o="2362" data-src="https://freight.cargo.site/t/original/i/60edf87607f1a4649227a8634857d81238bffbb4d0dd91f48dbad48de8a64af9/7.jpg" data-mid="108125955" border="0" src="https://freight.cargo.site/w/1000/i/60edf87607f1a4649227a8634857d81238bffbb4d0dd91f48dbad48de8a64af9/7.jpg" /><img width="2362" height="2362" width_o="2362" height_o="2362" data-src="https://freight.cargo.site/t/original/i/0dd333abd2abef64092b7a38cf040f915b312e0b25997181afa29f80ca75e14f/4.jpg" data-mid="108125967" border="0" src="https://freight.cargo.site/w/1000/i/0dd333abd2abef64092b7a38cf040f915b312e0b25997181afa29f80ca75e14f/4.jpg" /><img width="2362" height="2362" width_o="2362" height_o="2362" data-src="https://freight.cargo.site/t/original/i/f1e5df46d75ca49a8b7c06cad1fa6ec77523fa57cfe81ad69ef08638e4cdb7bf/5.jpg" data-mid="108125969" border="0" src="https://freight.cargo.site/w/1000/i/f1e5df46d75ca49a8b7c06cad1fa6ec77523fa57cfe81ad69ef08638e4cdb7bf/5.jpg" /><img width="2362" height="2362" width_o="2362" height_o="2362" data-src="https://freight.cargo.site/t/original/i/e01f207f32af58f2a84941f5d91e5e0120b3676d61bb31827db24b8cd634e743/6.jpg" data-mid="108125983" border="0" src="https://freight.cargo.site/w/1000/i/e01f207f32af58f2a84941f5d91e5e0120b3676d61bb31827db24b8cd634e743/6.jpg" /><img width="4724" height="3544" width_o="4724" height_o="3544" data-src="https://freight.cargo.site/t/original/i/3f35fc7cc4c24cc6e9f5794f23db148d2079484c3faa76c334de1bef93a092ae/02Ephraim_2021_DP.jpg" data-mid="108126174" border="0" src="https://freight.cargo.site/w/1000/i/3f35fc7cc4c24cc6e9f5794f23db148d2079484c3faa76c334de1bef93a092ae/02Ephraim_2021_DP.jpg" /><img width="2362" height="2362" width_o="2362" height_o="2362" data-src="https://freight.cargo.site/t/original/i/1f343870b795838d218b966fa782f8531d80fe4c238b573b249846b25014221c/10.jpg" data-mid="108126124" border="0" src="https://freight.cargo.site/w/1000/i/1f343870b795838d218b966fa782f8531d80fe4c238b573b249846b25014221c/10.jpg" /><img width="2362" height="2362" width_o="2362" height_o="2362" data-src="https://freight.cargo.site/t/original/i/463f835415280e50782bec0d33aebfaa8848b77e5786e1661207d57c5f40792c/11.jpg" data-mid="108126125" border="0" src="https://freight.cargo.site/w/1000/i/463f835415280e50782bec0d33aebfaa8848b77e5786e1661207d57c5f40792c/11.jpg" /><img width="2362" height="2362" width_o="2362" height_o="2362" data-src="https://freight.cargo.site/t/original/i/fb21b0d76779259a1496fa2436be155824253f227dc70bb40126a4bf0cee5074/14.jpg" data-mid="108125995" border="0" src="https://freight.cargo.site/w/1000/i/fb21b0d76779259a1496fa2436be155824253f227dc70bb40126a4bf0cee5074/14.jpg" /> Ephraim, 2021 Il progetto è costituito da un’installazione composta da un set fotografico, il cui allestimento è caratterizzato da ombrelli fotografici e flash. Le immagini, montate sul set, sono frutto della fascinazione sorta dalla visione del mosaico rappresentante la Battaglia nel bosco di Efraim di Bodini. La scena presente nell’opera racconta della fuga di Assalonne dalle guardie di re Davide, suo padre; si narra che il giovane abbia trovato la morte dopo essere rimasto impigliato in un albero di terebinto. Partendo da questo immaginario, il progetto si è sviluppato attraverso una mappatura geografica e una ricerca testuale, sulle tracce dell’attuale ubicazione di questo luogo, scorrendo tra la street-view di Google. Le immagini che compongono l’installazione sono ottenute forzando il computer ad aprire questo archivio di immagini naturalistiche raccolte durante il “viaggio” in formati sconosciuti, in una discronia che conduce il sistema in errore con la conseguente distruzione dell’immagine e la formazione di un glitch, o errore. Le forme che appaiono sono imprevedibili e contengono appena il riverbero dell’immagine di partenza. L’immaginario che si crea attraverso l’installazione è un set im(possibile), un luogo 0, una sorta di foresta apparente di pixel naturale ed artificiale insieme. Un diorama in cui cogliere frammenti di realtà, ombre che rievocano ambienti naturali plausibili, lasciando che sia l’immaginario la chiave per portarci oltre. Da questo luogo intricato, esplosione di colori e rarefazione di immagini, appare una scritta ricamata: “fecondi nel paese del dolore”. La frase ricamata al centro dell’installazione, tratta dall’etimologia del nome Efraim, diventa una riflessione sull’attuale condizione umana di creature: potenzialmente feconde, collettivamente incerte in una foresta inesplorata. https://dariopicariello.com/C-3 Wed, 12 Aug 2020 09:54:35 +0000 dariopicariello https://dariopicariello.com/C-3 <img width="3476" height="4724" width_o="3476" height_o="4724" data-src="https://freight.cargo.site/t/original/i/6dc1d5ebcd52c084e6c47731ac8d6938e66fc178ed7c73a62b56042b71486e9f/C.3.jpg" data-mid="88469364" border="0" src="https://freight.cargo.site/w/1000/i/6dc1d5ebcd52c084e6c47731ac8d6938e66fc178ed7c73a62b56042b71486e9f/C.3.jpg" /><img width="2239" height="3088" width_o="2239" height_o="3088" data-src="https://freight.cargo.site/t/original/i/e5515be8222b448c3c35db3f095b3cf48216814c72abdd1726043ed6a29ee5c4/sito.jpg" data-mid="88470843" border="0" src="https://freight.cargo.site/w/1000/i/e5515be8222b448c3c35db3f095b3cf48216814c72abdd1726043ed6a29ee5c4/sito.jpg" /> <img width="3426" height="4724" width_o="3426" height_o="4724" data-src="https://freight.cargo.site/t/original/i/84edb2836d79fd13b0a2c5d094f3fc46f0a74a61f9389bf26c579a4cc36c4699/2.jpg" data-mid="88469311" border="0" src="https://freight.cargo.site/w/1000/i/84edb2836d79fd13b0a2c5d094f3fc46f0a74a61f9389bf26c579a4cc36c4699/2.jpg" /> <img width="3425" height="4724" width_o="3425" height_o="4724" data-src="https://freight.cargo.site/t/original/i/b2b5f3a269b0d97c989b765868fe3cdc42453a4f6ecb2559efbd4b21ce1ec70d/1.jpg" data-mid="88469309" border="0" src="https://freight.cargo.site/w/1000/i/b2b5f3a269b0d97c989b765868fe3cdc42453a4f6ecb2559efbd4b21ce1ec70d/1.jpg" /> <img width="3425" height="4724" width_o="3425" height_o="4724" data-src="https://freight.cargo.site/t/original/i/3b8c97b74fe351975a94078f8c7b9dd867211e8956dad64766966ac1ce158fc0/3.jpg" data-mid="88469312" border="0" src="https://freight.cargo.site/w/1000/i/3b8c97b74fe351975a94078f8c7b9dd867211e8956dad64766966ac1ce158fc0/3.jpg" /> <img width="3381" height="4663" width_o="3381" height_o="4663" data-src="https://freight.cargo.site/t/original/i/63107ffdbef8eb94d825da4f44fb1b06ee36706d55e4805142a54438fe3e177b/4.jpg" data-mid="88469313" border="0" src="https://freight.cargo.site/w/1000/i/63107ffdbef8eb94d825da4f44fb1b06ee36706d55e4805142a54438fe3e177b/4.jpg" /> <img width="3426" height="4724" width_o="3426" height_o="4724" data-src="https://freight.cargo.site/t/original/i/8e0813f350d74379a5b6476bdefe325f4768b3dc3e706462cda411eec3cd0a1b/8.jpg" data-mid="88469318" border="0" src="https://freight.cargo.site/w/1000/i/8e0813f350d74379a5b6476bdefe325f4768b3dc3e706462cda411eec3cd0a1b/8.jpg" /> <img width="3426" height="4724" width_o="3426" height_o="4724" data-src="https://freight.cargo.site/t/original/i/451f40c64b0f171915c48ccbd90328ac10c069eedc2987c2a59c2a1a8dab266e/9.jpg" data-mid="88469319" border="0" src="https://freight.cargo.site/w/1000/i/451f40c64b0f171915c48ccbd90328ac10c069eedc2987c2a59c2a1a8dab266e/9.jpg" /> <img width="3426" height="4724" width_o="3426" height_o="4724" data-src="https://freight.cargo.site/t/original/i/72dc57adb1394522d6256e615a11b7deb40db3b774511b92f78bd6f0874f3f08/7.jpg" data-mid="88469317" border="0" src="https://freight.cargo.site/w/1000/i/72dc57adb1394522d6256e615a11b7deb40db3b774511b92f78bd6f0874f3f08/7.jpg" /> <img width="3425" height="4724" width_o="3425" height_o="4724" data-src="https://freight.cargo.site/t/original/i/6aa8894dab0ff6c6368ea10c2fd9159eac4695897a5af17b64020e1019cf4823/5.jpg" data-mid="88469314" border="0" src="https://freight.cargo.site/w/1000/i/6aa8894dab0ff6c6368ea10c2fd9159eac4695897a5af17b64020e1019cf4823/5.jpg" /> <img width="3425" height="4724" width_o="3425" height_o="4724" data-src="https://freight.cargo.site/t/original/i/fb13f1ee3118917db27ab17b26703fc41b8f7c89a162d66a86f730864f8c289d/6.jpg" data-mid="88469315" border="0" src="https://freight.cargo.site/w/1000/i/fb13f1ee3118917db27ab17b26703fc41b8f7c89a162d66a86f730864f8c289d/6.jpg" /> (C.3) NON VOGLIO DIRE LE MIE PENE AL SOLE..., 2020 I don’t want to tell the sun my sorrows belongs to a broader research inspired by the tradition of southern folk songs. Divided into cycles, they mark the stages of human existence and work. The third cycle is dedicated to the chants of the wedding rites. I don’t want to tell the sun my sorrows&nbsp; fearing that it will lose its light, I will tell the moon which renews every month tells about the lack of communication that can happen during a love relationship over time: the daily gestures that constellate relationships risk becoming mechanical, taken for granted, as if they were performed with closed eyes, till they turn into different and incomprehensible languages. The image of a hand caressing some flowers is read by a software unable to encode its original digital format, sending back an error, or glitch, which rarefies its likeliness. The photograph is contact printed through an acid which impresses the ink on paper. _ Non voglio dire le mie pene al sole è parte di un progetto più ampio, ispirato alla tradizione dei canti popolari italiani meridionali. Divisi in cicli, essi scandiscono le fasi dell’esistenza e del lavoro umani. Il terzo ciclo è dedicato ai canti dei riti nuziali. Non voglio dire le mie pene al sole temendo che perda la sua luce, le dirò alla luna che ogni mese si rinnova racconta della mancanza di comunicazione che può caratterizzare il rapporto amoroso nel corso del tempo: i gesti quotidiani che punteggiano le relazioni rischiano di diventare meccanici, scontati, come fossero compiuti ad occhi chiusi, fino a diventare lingue diverse e incompatibili. L’immagine di una mano che accarezza dei fiori viene letta da un software non adatto a codificarne il formato digitale originale, producendo un errore, o glitch, rarefandone la verosimiglianza. La fotografia è stampata a contatto attraverso un acido che imprime su carta l’inchiostro. https://dariopicariello.com/C-5 Wed, 11 Nov 2020 17:07:37 +0000 dariopicariello https://dariopicariello.com/C-5 <img width="3464" height="4724" width_o="3464" height_o="4724" data-src="https://freight.cargo.site/t/original/i/dcdfda1f1c04d87be0d1605e315e5118d50a0f330e89a9cd09442bc5c242de79/DP_CicloQuinto..jpg" data-mid="88472385" border="0" src="https://freight.cargo.site/w/1000/i/dcdfda1f1c04d87be0d1605e315e5118d50a0f330e89a9cd09442bc5c242de79/DP_CicloQuinto..jpg" /> QUANDO SBAJO DAMME LI BOTTE, VOJO LA MORTE, NUN ME CACCIÀ, 2020 Contact photo printing on cotton satin, blueback paper embroidery 107 x 150 cm _ Photo courtesy of the artist <img width="3833" height="5542" width_o="3833" height_o="5542" data-src="https://freight.cargo.site/t/original/i/99af3645163e5a2389639b72ba8206655f3b5544d125f00635d0bef99f30eafd/IMG_8020-1.jpg" data-mid="88472392" border="0" src="https://freight.cargo.site/w/1000/i/99af3645163e5a2389639b72ba8206655f3b5544d125f00635d0bef99f30eafd/IMG_8020-1.jpg" /> <img width="5939" height="3341" width_o="5939" height_o="3341" data-src="https://freight.cargo.site/t/original/i/e9a0f768de3d1adb3dfffc7e7ac7435e8f36c213405f07da8003e28357696c6c/laVitaDiceCheMancuHediMia.jpg" data-mid="104045577" border="0" src="https://freight.cargo.site/w/1000/i/e9a0f768de3d1adb3dfffc7e7ac7435e8f36c213405f07da8003e28357696c6c/laVitaDiceCheMancuHediMia.jpg" /><img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/f44ebf657276257c94093702358a3084e721d6a7ec264124e8d673d0ed827408/IMG_8166-1.jpg" data-mid="104045295" border="0" src="https://freight.cargo.site/w/1000/i/f44ebf657276257c94093702358a3084e721d6a7ec264124e8d673d0ed827408/IMG_8166-1.jpg" /><img width="5154" height="3396" width_o="5154" height_o="3396" data-src="https://freight.cargo.site/t/original/i/adbb758a542a115381dc7e9e20c7a83611f819d067288681f805fa5948e699d6/1.jpg" data-mid="104045356" border="0" src="https://freight.cargo.site/w/1000/i/adbb758a542a115381dc7e9e20c7a83611f819d067288681f805fa5948e699d6/1.jpg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/05f2fd4aa3de7e9b398309d302305f573c5c738801fef7431e36fbb37c312b23/C.5.gif" data-mid="104149108" border="0" src="https://freight.cargo.site/w/1000/i/05f2fd4aa3de7e9b398309d302305f573c5c738801fef7431e36fbb37c312b23/C.5.gif" /><img width="4416" height="3060" width_o="4416" height_o="3060" data-src="https://freight.cargo.site/t/original/i/d6f52231d948a53296c77f73f254d4b0620eb5811042b9519786011654231ba0/IMG_8197-1.jpg" data-mid="104045354" border="0" src="https://freight.cargo.site/w/1000/i/d6f52231d948a53296c77f73f254d4b0620eb5811042b9519786011654231ba0/IMG_8197-1.jpg" /> LA VITA DICE CHE MANCU HEDI MIA, 2021 Contact photo printing on cotton satin, blueback paper embroidery, greenscreen, stand unit Variable dimensions&nbsp;_Photo courtesy the artist (C.5) IL LAVORO NEI CAMPI, 2020 Il lavoro nei campi è parte di un progetto più ampio, ispirato alla tradizione dei canti popolari italiani meridionali. Divisi in cicli, essi scandiscono le fasi dell’esistenza e del lavoro umani. Questo ciclo è dedicato ai canti del lavoro, necessari per ritmare e rendere sopportabili le condizioni inumane ancora oggi diffuse, come nel sistema del caporalato. Il lavoro è costituito da un grande ricamo su tessuto stampato a mano che rimanda ad elementi di questo immaginario, in particolare l’abito tradizionale della domenica, giorno del riposo. Tratta da un canto popolare, la frase Quando sbajo damme li botte, vojo la morte, nun me caccià, viene cucita sull’immagine della schiena dell’abito, insieme a fotografie di cronaca che documentano condizioni di lavoro drammatiche. Le immagini dell’attualità, tagliate in strisce sottili, diventano un filo per ricamare dando corpo alle parole della tradizione, congiungendo passato e presente nel nome dello sfruttamento._ Work in the fields belongs to a broader research inspired by the tradition of southern folk songs. Divided into cycles, they mark the stages of human existence and work. This cycle is dedicated to work chants, necessary to instill a time and to make the inhuman conditions bearable, as in the so-called "caporalato" system ​(illegal recruitment) – still widespread nowadays.&nbsp; The artwork consists of a large embroidery on hand-printed fabric that recalls elements of this imagery, especially the traditional Sunday suit, day of rest. Taken from a folk song, the lyrics Quando sbajo damme li botte, vojo la morte, nun me caccià (When I make a mistake beat me, I want death, don’t kick me out) are sewn onto the image of the back&nbsp;of the gown, together with news photographs providing evidence of the dramatic working conditions. The daily news pictures, cut into thin strips, become an embroidery thread to give substance to the words of the tradition, connecting past and present in the name of exploitation. https://dariopicariello.com/Cosenza-Vende-1 Tue, 28 Jul 2020 08:49:50 +0000 dariopicariello https://dariopicariello.com/Cosenza-Vende-1 window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'UA-179593888-1'); <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/c84b4b409ec7b279c63f79d7a066936b1d2d2affcd6a8847b855a824707f10a6/9.jpg" data-mid="78527551" border="0" src="https://freight.cargo.site/w/1000/i/c84b4b409ec7b279c63f79d7a066936b1d2d2affcd6a8847b855a824707f10a6/9.jpg" /> COSENZA VENDE, 2018 Blueback paper embroidery on photographic studio umbrellas, stand unit, light lamp Environmental dimensions&nbsp;_Photo courtesy of the artist <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/a6bf476036497ab76ff791606b1512b1efa3de4e15d4c03e630ca35ac94dbbfa/sito.jpg" data-mid="78547876" border="0" src="https://freight.cargo.site/w/1000/i/a6bf476036497ab76ff791606b1512b1efa3de4e15d4c03e630ca35ac94dbbfa/sito.jpg" /><img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/130fdbe53705332f2a51623a91ab474effdcfee314f73284ff6953aa3e3258dd/8.jpg" data-mid="78619000" border="0" src="https://freight.cargo.site/w/1000/i/130fdbe53705332f2a51623a91ab474effdcfee314f73284ff6953aa3e3258dd/8.jpg" /><img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/cab6a3138deb4bfaec7e681b93476790af801ad5b4644e57b70f165e825428d3/4.jpg" data-mid="78547922" border="0" src="https://freight.cargo.site/w/1000/i/cab6a3138deb4bfaec7e681b93476790af801ad5b4644e57b70f165e825428d3/4.jpg" /><img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/ebac6ce220f1fc03cedeb41c5b6e30011be6ce0de2b37dbed4c67995566443ec/foto1-2.jpg" data-mid="78619204" border="0" src="https://freight.cargo.site/w/1000/i/ebac6ce220f1fc03cedeb41c5b6e30011be6ce0de2b37dbed4c67995566443ec/foto1-2.jpg" /> COSENZA VENDE, 2018 Blueback paper embroidery on gold/silver reflector, stand unitEnvironmental dimensions _Photo courtesy of the artist <img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/126b205bb7d8e3ea9f40500a700b40a5333fb7de1c539f1427efe3bc78622e96/11.jpg" data-mid="78619390" border="0" src="https://freight.cargo.site/w/1000/i/126b205bb7d8e3ea9f40500a700b40a5333fb7de1c539f1427efe3bc78622e96/11.jpg" /> <img width="4985" height="3396" width_o="4985" height_o="3396" data-src="https://freight.cargo.site/t/original/i/51064c1deb63193471aa9206323be2103c774f7114a966e65d6fc5f48fea5035/3.jpg" data-mid="78619312" border="0" src="https://freight.cargo.site/w/1000/i/51064c1deb63193471aa9206323be2103c774f7114a966e65d6fc5f48fea5035/3.jpg" /><img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/7c3910a9bf2df53d3d23bf15c2ddd40fa95821ccbe90b914ab2d546a37c0c3de/1.jpg" data-mid="78619301" border="0" src="https://freight.cargo.site/w/1000/i/7c3910a9bf2df53d3d23bf15c2ddd40fa95821ccbe90b914ab2d546a37c0c3de/1.jpg" /><img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/6fd4f04d8a105e415be117e769caba7c6f7b1d2c8d6889fbcc16a1719795c3e8/10.jpg" data-mid="78619307" border="0" src="https://freight.cargo.site/w/1000/i/6fd4f04d8a105e415be117e769caba7c6f7b1d2c8d6889fbcc16a1719795c3e8/10.jpg" /> <img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/0b2c23aa02f0c7c2bc05dde7c07f6b82e18b5a4d775b493f4421fd7bc24fdcf0/1.jpg" data-mid="78527583" border="0" src="https://freight.cargo.site/w/1000/i/0b2c23aa02f0c7c2bc05dde7c07f6b82e18b5a4d775b493f4421fd7bc24fdcf0/1.jpg" /> <img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/dd70e2ae58b80cc5d048a657bffa497ae1131ead26324575ad3738ef44de63ba/5.jpg" data-mid="78527563" border="0" src="https://freight.cargo.site/w/1000/i/dd70e2ae58b80cc5d048a657bffa497ae1131ead26324575ad3738ef44de63ba/5.jpg" /> <img width="3000" height="4000" width_o="3000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/53813a0437e5194a22aba29af936b3c55eb238ca7ebce44a66d98d5dc98036ef/4.jpg" data-mid="78527582" border="0" src="https://freight.cargo.site/w/1000/i/53813a0437e5194a22aba29af936b3c55eb238ca7ebce44a66d98d5dc98036ef/4.jpg" /> <img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/dd4f5be1c5eda081bf9ee2821f9263a1a07dd601d1b65fd541676b357f5a373d/6.jpg" data-mid="78527585" border="0" src="https://freight.cargo.site/w/1000/i/dd4f5be1c5eda081bf9ee2821f9263a1a07dd601d1b65fd541676b357f5a373d/6.jpg" /> <img width="3000" height="4000" width_o="3000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/8f9d83a4c8f8b7541220f984807e5428d017d6550c1707dea6a17f9ca1b4f5a8/3.jpg" data-mid="78527587" border="0" src="https://freight.cargo.site/w/1000/i/8f9d83a4c8f8b7541220f984807e5428d017d6550c1707dea6a17f9ca1b4f5a8/3.jpg" /> <img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/0b2c23aa02f0c7c2bc05dde7c07f6b82e18b5a4d775b493f4421fd7bc24fdcf0/1.jpg" data-mid="78527583" border="0" src="https://freight.cargo.site/w/1000/i/0b2c23aa02f0c7c2bc05dde7c07f6b82e18b5a4d775b493f4421fd7bc24fdcf0/1.jpg" /> COSENZA VENDE, 2018 The project Cosenza vende is structured on the study of the Cosenza city area and the fascination exerted by the surrounding landscape during the residency BocsArt. Today the city is divided into two areas, the "old" part and the new recently urbanized part, which are experiencing a relentless emptying of the historical center. Since the Seventies, sale signs crowd the decaying alleys and squares. The word “vende” (for sale) is taken out from the context and used in an embroidery made with photographs of the signs in the city. The embroidery - a tradition of the province of Cosenza, developed particularly between the villages of Luongobocco and San Giovanni in Fiore - is used on two photographic umbrellas in a traditional weave, called the "stitch of the judge". &nbsp;&nbsp; _Il lavoro Cosenza vende si articola attraverso uno studio del territorio cosentino e le fascinazioni esercitate dal paesaggio circostante durante la residenza BocsArt. La città è oggi divisa in due nuclei, parte vecchia e nuova, di recente urbanizzazione, registrando un inesorabile processo di svuotamento del centro storico. A partire dagli anni Settanta, i cartelli di vendita affollano i vicoli decadenti e le piazze. La parola “vende” viene estrapolata dal contesto e utilizzata in un ricamo fatto con le fotografie dei cartelli presenti in città. Il ricamo, tradizione della provincia cosentina, sviluppatasi particolarmente tra i borghi di Luongobocco e San Giovanni in Fiore, viene utilizzato su due ombrelli fotografici in un intreccio localmente conosciuto come “punto del giudice”. https://dariopicariello.com/A-fuoco-continuo-1 Tue, 28 Jul 2020 08:49:51 +0000 dariopicariello https://dariopicariello.com/A-fuoco-continuo-1 window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'UA-179593888-1'); <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/8bb7e7f00cb7797cb4a07074996e51a57b61ba30292f360da78bcb43787424ab/20.jpg" data-mid="78626155" border="0" src="https://freight.cargo.site/w/1000/i/8bb7e7f00cb7797cb4a07074996e51a57b61ba30292f360da78bcb43787424ab/20.jpg" /> A FUOCO CONTINUO, 2018 Print on retroreflective pvc, stand unit, photographic studio umbrella Ø 184 cm _Photo courtesy the artist <img width="2731" height="3456" width_o="2731" height_o="3456" data-src="https://freight.cargo.site/t/original/i/d3dbc0f53b5b431b2568373be96f520e02b1ad378627c5974b69967aca98728b/22.jpg" data-mid="78528591" border="0" src="https://freight.cargo.site/w/1000/i/d3dbc0f53b5b431b2568373be96f520e02b1ad378627c5974b69967aca98728b/22.jpg" /> <img width="4500" height="2930" width_o="4500" height_o="2930" data-src="https://freight.cargo.site/t/original/i/c193b71d03c129829614aa6e88f2cb9bc171a8b063a65579461e1b52a36e4a4d/A-fuoco-continuo-2.jpg" data-mid="78657339" border="0" src="https://freight.cargo.site/w/1000/i/c193b71d03c129829614aa6e88f2cb9bc171a8b063a65579461e1b52a36e4a4d/A-fuoco-continuo-2.jpg" /><img width="5860" height="9000" width_o="5860" height_o="9000" data-src="https://freight.cargo.site/t/original/i/83721cf40f713fa762571a0a9fadfdc1d9f2989bb0a596f8ecce9ded18b3c14d/3..jpg" data-mid="78626163" border="0" src="https://freight.cargo.site/w/1000/i/83721cf40f713fa762571a0a9fadfdc1d9f2989bb0a596f8ecce9ded18b3c14d/3..jpg" /> A FUOCO CONTINUO, 2018 Photographyc print on hahnemühle canvas, triflector stand unit, gold/silver reflectorTript. Ø 100, 100, 50 cm&nbsp;_Photo courtesy the artist <img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/85fb08ae64275e104475a290c515771c3a1d55535fd42301ad60a4565c8013a1/5.jpg" data-mid="78620819" border="0" src="https://freight.cargo.site/w/1000/i/85fb08ae64275e104475a290c515771c3a1d55535fd42301ad60a4565c8013a1/5.jpg" /> <img width="5860" height="9000" width_o="5860" height_o="9000" data-src="https://freight.cargo.site/t/original/i/667ca1f45240cdd8f0b4470d23f5ccde55445a764b4b9c504241c90f0f8c1890/2..jpg" data-mid="78626180" border="0" src="https://freight.cargo.site/w/1000/i/667ca1f45240cdd8f0b4470d23f5ccde55445a764b4b9c504241c90f0f8c1890/2..jpg" /> A FUOCO CONTINUO, 2018 Photographic print on hahnemühle canvas, stand unit, silver reflector 108 × 165 cm&nbsp;_Photo courtesy the artist <img width="1500" height="2304" width_o="1500" height_o="2304" data-src="https://freight.cargo.site/t/original/i/30b3aa77d653ecd4707afaa631bca26b69969b0c503227f17b3f45b126f538ec/1.jpg" data-mid="78626190" border="0" src="https://freight.cargo.site/w/1000/i/30b3aa77d653ecd4707afaa631bca26b69969b0c503227f17b3f45b126f538ec/1.jpg" /> A FUOCO CONTINUO, 2018 Photographic print on hahnemühle canvas, stand unit, silver reflector&nbsp; 80 × 120 cm&nbsp;_Photo courtesy the artist <img width="4450" height="3456" width_o="4450" height_o="3456" data-src="https://freight.cargo.site/t/original/i/61b96d33467af41e65750a197be993b08457b0cf57a65ab096f15d1703b9e662/28.jpg" data-mid="78528627" border="0" src="https://freight.cargo.site/w/1000/i/61b96d33467af41e65750a197be993b08457b0cf57a65ab096f15d1703b9e662/28.jpg" /> A FUOCO CONTINUO, 2018 Photographic print on hahnemühle paper 37 × 25 cm&nbsp;_Photo courtesy the artist <img width="4724" height="2853" width_o="4724" height_o="2853" data-src="https://freight.cargo.site/t/original/i/d79970f26c5c42ecbbe31494f158e00896fb81ddd30c9c96dd937b618b7fb393/25.jpg" data-mid="78528630" border="0" src="https://freight.cargo.site/w/1000/i/d79970f26c5c42ecbbe31494f158e00896fb81ddd30c9c96dd937b618b7fb393/25.jpg" /> A FUOCO CONTINUO, 2018 Ink on paper25×32 cm each and 43×32 cm&nbsp;_Photo courtesy the artist <img width="3527" height="2362" width_o="3527" height_o="2362" data-src="https://freight.cargo.site/t/original/i/7e4994dfa348dcf3da7eb4e79a1b3c417d1bd9c58b36c8b7eae234e72bc5ba25/A-fuoco-continuo_Dario-Picariello-02.jpg" data-mid="78657341" border="0" src="https://freight.cargo.site/w/1000/i/7e4994dfa348dcf3da7eb4e79a1b3c417d1bd9c58b36c8b7eae234e72bc5ba25/A-fuoco-continuo_Dario-Picariello-02.jpg" /> <img width="4270" height="7087" width_o="4270" height_o="7087" data-src="https://freight.cargo.site/t/original/i/c0a38eeaa438ddd7853d1d26bb865c1c31a624a16b7c2adb10a17100d6891d42/stampa-110-x-180.jpg" data-mid="78528652" border="0" src="https://freight.cargo.site/w/1000/i/c0a38eeaa438ddd7853d1d26bb865c1c31a624a16b7c2adb10a17100d6891d42/stampa-110-x-180.jpg" /> <img width="3742" height="5760" width_o="3742" height_o="5760" data-src="https://freight.cargo.site/t/original/i/d483bf6e258bb1b056ca9f4fbb2c739acab58d63b94fde2b2cea758e80eb0e67/stampa-80-x-120.jpg" data-mid="78528641" border="0" src="https://freight.cargo.site/w/1000/i/d483bf6e258bb1b056ca9f4fbb2c739acab58d63b94fde2b2cea758e80eb0e67/stampa-80-x-120.jpg" /> <img width="4724" height="7090" width_o="4724" height_o="7090" data-src="https://freight.cargo.site/t/original/i/7b4f952124cf89fc410f1e5e6a9114e2456153e69049262d10649971b28a3a7c/stampa-110-x-165.jpg" data-mid="78528654" border="0" src="https://freight.cargo.site/w/1000/i/7b4f952124cf89fc410f1e5e6a9114e2456153e69049262d10649971b28a3a7c/stampa-110-x-165.jpg" /> <img width="3840" height="5760" width_o="3840" height_o="5760" data-src="https://freight.cargo.site/t/original/i/75f619084eeaf6d860de7bb285b8fe3f9fcb5b0e1735748d8541d1fda203a915/stampa-48x-70.jpg" data-mid="78528670" border="0" src="https://freight.cargo.site/w/1000/i/75f619084eeaf6d860de7bb285b8fe3f9fcb5b0e1735748d8541d1fda203a915/stampa-48x-70.jpg" /> <img width="3435" height="3435" width_o="3435" height_o="3435" data-src="https://freight.cargo.site/t/original/i/18687b5a6363b8c1ef011702c3f9a1655b0b37cd758b9ffc2f4d3b16a3920637/4.png" data-mid="78544715" border="0" src="https://freight.cargo.site/w/1000/i/18687b5a6363b8c1ef011702c3f9a1655b0b37cd758b9ffc2f4d3b16a3920637/4.png" /> <img width="5565" height="3754" width_o="5565" height_o="3754" data-src="https://freight.cargo.site/t/original/i/07f3853af118ed3c7c6da112d8e6440752c36a8425ca5f94f1201b85f6e79e93/stampa-30-x-40-.jpg" data-mid="78528678" border="0" src="https://freight.cargo.site/w/1000/i/07f3853af118ed3c7c6da112d8e6440752c36a8425ca5f94f1201b85f6e79e93/stampa-30-x-40-.jpg" /> <img width="3435" height="3435" width_o="3435" height_o="3435" data-src="https://freight.cargo.site/t/original/i/081ab4451a38a14b113833ac0f90385330fbc70255771fddfd4cfa7360de77fc/2.png" data-mid="78544713" border="0" src="https://freight.cargo.site/w/1000/i/081ab4451a38a14b113833ac0f90385330fbc70255771fddfd4cfa7360de77fc/2.png" /> <img width="3463" height="3463" width_o="3463" height_o="3463" data-src="https://freight.cargo.site/t/original/i/537ea437fff1ac43aff391670aff0dd5485e61e9bcca75aecd8ac8e359ffc023/1.png" data-mid="78543393" border="0" src="https://freight.cargo.site/w/1000/i/537ea437fff1ac43aff391670aff0dd5485e61e9bcca75aecd8ac8e359ffc023/1.png" /> <img width="3435" height="3435" width_o="3435" height_o="3435" data-src="https://freight.cargo.site/t/original/i/086dfed0963444f271e88c1c2be546e7029f3c2071016f111f99c44e114b5c58/3.png" data-mid="78544714" border="0" src="https://freight.cargo.site/w/1000/i/086dfed0963444f271e88c1c2be546e7029f3c2071016f111f99c44e114b5c58/3.png" /> <img width="4422" height="6446" width_o="4422" height_o="6446" data-src="https://freight.cargo.site/t/original/i/aa1dc4bba089ca2a9e6656fb7a09d18c3c24abf5a90f2ed9d76965f47d06d47c/stampa-48-x-70.jpg" data-mid="78528677" border="0" src="https://freight.cargo.site/w/1000/i/aa1dc4bba089ca2a9e6656fb7a09d18c3c24abf5a90f2ed9d76965f47d06d47c/stampa-48-x-70.jpg" /> A FUOCO CONTINUO, 2018 The Continuous Fire project was born in the shadow of the story of Gregorio Gregorj, owner of the homonymous kiln in Sant’Antonino (province of Treviso) between the 19th and 20th centuries; nowadays in completely abandoned conditions. The utopian and unsuccessful operation of recreating the Hall of Artists today - the beating heart of the building which connected art, industrial production, and social progress - is conducted through the investigation of the traces of "the dark kilnsman", as Gregorj liked to call himself. Reactivated through the process of work and memory thanks to two dedicated workshops, the building is then investigated through a series of photographic shots in order to recover suggestions, presences and suspended temporalities, composing a single dynamic installation in the exhibition space. &nbsp; _ Il progetto A fuoco continuonasce all’ombra della storia di Gregorio Gregorj, alla guida dell’omonima fornace di Sant’Antonino (Treviso) tra XIX e XX secolo; oggi il sito è in stato d’abbandono. L’operazione, utopistica e fallimentare, di ricreare oggi la Sala degli Artisti - cuore pulsante del complesso che univa arte, produzione industriale, progresso sociale - è condotta attraverso l’indagine delle tracce “dell’oscuro fornaciaio”, come amava definirsi lo stesso Gregorj. Riattivato attraverso il processo del lavoro e della memoria, grazie a due workshop dedicati, il complesso viene quindi indagato attraverso una serie di scatti fotografici recuperando suggestioni, presenze e temporalità sospese, andando a comporre un’unica installazione dinamica nello spazio espositivo. https://dariopicariello.com/Il-decoro-non-abita-piu-qui-1 Tue, 28 Jul 2020 08:49:51 +0000 dariopicariello https://dariopicariello.com/Il-decoro-non-abita-piu-qui-1 <img width="3543" height="5315" width_o="3543" height_o="5315" data-src="https://freight.cargo.site/t/original/i/428a25388cae81bbecb792bb13dedd6b0eeb568761d0741d7b7c6a8dd0f5518b/bis5.jpg" data-mid="78548007" border="0" src="https://freight.cargo.site/w/1000/i/428a25388cae81bbecb792bb13dedd6b0eeb568761d0741d7b7c6a8dd0f5518b/bis5.jpg" /> IL DECORO NON ABITA PIÙ QUI, 2018Blueback paper embroidery on silver reflector, stand unitEnvironmental dimensions _Photo courtesy the artist <img width="3543" height="4894" width_o="3543" height_o="4894" data-src="https://freight.cargo.site/t/original/i/84ea45f4c230da058cbd37376e921e7bdb0dbc269b67e34974070e7350302d95/bis.jpg" data-mid="78528453" border="0" src="https://freight.cargo.site/w/1000/i/84ea45f4c230da058cbd37376e921e7bdb0dbc269b67e34974070e7350302d95/bis.jpg" /> <img width="3543" height="5315" width_o="3543" height_o="5315" data-src="https://freight.cargo.site/t/original/i/ac6f96e5db368932a47d0b73a547f3e04f1491ca1faf8a71b9181b6bfe51e89b/bis8.jpg" data-mid="78528454" border="0" src="https://freight.cargo.site/w/1000/i/ac6f96e5db368932a47d0b73a547f3e04f1491ca1faf8a71b9181b6bfe51e89b/bis8.jpg" /> IL DECORO NON ABITA PIÙ QUI, 2018Photographic print on bluebackEnvironmental dimensions _Photo courtesy the artist <img width="1575" height="2362" width_o="1575" height_o="2362" data-src="https://freight.cargo.site/t/original/i/7b102eac7968f717b05385223dfac54343b39cf0a00c542c246eae0bc2db45c3/bis3.jpg" data-mid="78528493" border="0" src="https://freight.cargo.site/w/1000/i/7b102eac7968f717b05385223dfac54343b39cf0a00c542c246eae0bc2db45c3/bis3.jpg" /><img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/f6c6e1b8fa73d15cb4118a6ff278db3c597dd7991415380cf8179bfc6602569d/bis4.jpg" data-mid="78528495" border="0" src="https://freight.cargo.site/w/1000/i/f6c6e1b8fa73d15cb4118a6ff278db3c597dd7991415380cf8179bfc6602569d/bis4.jpg" /> <img width="3543" height="5315" width_o="3543" height_o="5315" data-src="https://freight.cargo.site/t/original/i/5b72787c9192635f52a3d56302c0ade3cbfabc823220fe41d19063a519380fe6/8.jpg" data-mid="78528501" border="0" src="https://freight.cargo.site/w/1000/i/5b72787c9192635f52a3d56302c0ade3cbfabc823220fe41d19063a519380fe6/8.jpg" /> <img width="3543" height="5315" width_o="3543" height_o="5315" data-src="https://freight.cargo.site/t/original/i/35177944a05ecd8977e439239ed31afa1691a393ce832efcdb79b5133b18b165/9.jpg" data-mid="78528499" border="0" src="https://freight.cargo.site/w/1000/i/35177944a05ecd8977e439239ed31afa1691a393ce832efcdb79b5133b18b165/9.jpg" /> <img width="2953" height="4429" width_o="2953" height_o="4429" data-src="https://freight.cargo.site/t/original/i/234055be4e37b59bd3cafb6ce9d506554226b5b0bae52ddfb87a100cbe485d1e/3.jpg" data-mid="78528508" border="0" src="https://freight.cargo.site/w/1000/i/234055be4e37b59bd3cafb6ce9d506554226b5b0bae52ddfb87a100cbe485d1e/3.jpg" /> <img width="3543" height="5315" width_o="3543" height_o="5315" data-src="https://freight.cargo.site/t/original/i/d1cf23b5a0eb026e70a21cabf365b027d396646b6d5ef63b7c84cb8f55a6de86/1.jpg" data-mid="78528510" border="0" src="https://freight.cargo.site/w/1000/i/d1cf23b5a0eb026e70a21cabf365b027d396646b6d5ef63b7c84cb8f55a6de86/1.jpg" /> <img width="2362" height="3543" width_o="2362" height_o="3543" data-src="https://freight.cargo.site/t/original/i/2674c13eeb327b40894bd50bd98a6bb0c2b10a5b039e1bd55f8929e4e669db71/2.jpg" data-mid="78528509" border="0" src="https://freight.cargo.site/w/1000/i/2674c13eeb327b40894bd50bd98a6bb0c2b10a5b039e1bd55f8929e4e669db71/2.jpg" /> <img width="2953" height="4429" width_o="2953" height_o="4429" data-src="https://freight.cargo.site/t/original/i/5e0b2dc60eb09fb09158b831a3588ae6a6ddc817dc351852871c36cf640e9412/4-2.jpg" data-mid="78528507" border="0" src="https://freight.cargo.site/w/1000/i/5e0b2dc60eb09fb09158b831a3588ae6a6ddc817dc351852871c36cf640e9412/4-2.jpg" /> <img width="3543" height="5315" width_o="3543" height_o="5315" data-src="https://freight.cargo.site/t/original/i/a4c63c2e74e0deb1ef0dce24239d857055fc19118b697baef9061a2b7cb16e3c/5.jpg" data-mid="78528506" border="0" src="https://freight.cargo.site/w/1000/i/a4c63c2e74e0deb1ef0dce24239d857055fc19118b697baef9061a2b7cb16e3c/5.jpg" /> <img width="3543" height="5315" width_o="3543" height_o="5315" data-src="https://freight.cargo.site/t/original/i/7d804af1858fdc553b2e7a3384ebcb400c5f47854ba9d230c8c515e309163389/6.jpg" data-mid="78528505" border="0" src="https://freight.cargo.site/w/1000/i/7d804af1858fdc553b2e7a3384ebcb400c5f47854ba9d230c8c515e309163389/6.jpg" /> <img width="2953" height="4429" width_o="2953" height_o="4429" data-src="https://freight.cargo.site/t/original/i/de90565fd21f052cc32922fbec4a6ae416bcfed9e834c231f0351a10a154681c/7.jpg" data-mid="78528503" border="0" src="https://freight.cargo.site/w/1000/i/de90565fd21f052cc32922fbec4a6ae416bcfed9e834c231f0351a10a154681c/7.jpg" /> IL DECORO NON ABITA PIU’ QUI, 2018 The project was carried out in the spaces of the TurinCavallerizza Reale, a historical complex dating back to the forties of the 18th century. Il decoro non abita più qui (Decorum does not live here anymore) was inspired by the recent events of the Cavallerizza. Faced with the hypothesis of privatization of the property, in 2014 a citizens' assembly occupied the building to return this site to the community, which still preserves inside many traces of its various occupations: among these, a newspaper clipping from 1994 quoted: "decorum does not live here anymore". The meaning of that phrase has been reversed in the installation. The word “decorum”, understood as a set of values that seemed to be missing, is used as an ornamental motif. The work is inspired by the layering of the wallpapers in the rooms of the Cavallerizza photographed and reprinted on poster paper, referring to their primary function of décor. The reprinted papers are superimposed as large wall canvases, while some are reduced into strips with which the writing is embroidered on a silver photographic stand. _ Il lavoro è stato realizzato negli spazi della Cavallerizza Reale di Torino, un complesso storico che risale agli anni Quaranta del XVIII secolo. Il decoro non abita più qui si ispira alle vicende della storia recente della Cavallerizza. Di fronte all’ipotesi di privatizzazione dell’immobile, nel 2014 un’assemblea di cittadini ha occupato l’edificio per restituire alla comunità il sito, che conserva ancora all’interno molte tracce delle varie occupazioni subite: tra queste, un ritaglio di giornale del 1994 che chiosava: “il decoro non abita più qui”. Nell’installazione è stato rovesciato il significato di quella frase. La parola “decoro”, intesa come complesso di valori che sembravano mancare, è utilizzata come motivo ornamentale. L’opera trae spunto dalla stratificazione delle carte da parati presenti nelle stanze della Cavallerizza fotografate e ristampate su carta da manifesto, rimandando alla loro funzione primaria di decorazione. Le carte ristampate sono sovrapposte come grandi tele a parete, mentre alcune sono ridotte in striscioline con le quali è ricamata la scritta su uno stativo fotografico argentato.